Porto Vista Hotel In Little Italy
We loved how Porto Vista Hotel treats its Little Italy address as a design brief,...
It opened in 1926 as the Pickwick, selling itself on a slogan that has aged into charm: a room and a bath for two and a half. Within two years it had grown to well over two hundred rooms and gained the pair of broadcast towers that still sit on its roof, because by the following decade the building housed a radio station that called itself the voice of sunny San Diego. It has a quieter distinction too: the last public Neo-Gothic building the city put up, all vertical stone lines and carved ornament on a street that has since gone to glass. New owners took it on in the eighties and spent years putting it back together; it reopened as the Sofia. It is a member of Historic Hotels of America, and still the most interesting facade on this stretch of Broadway.
Downtown San Diego is not short of rooms. It is short of buildings with a past, and shorter still of ones that have been restored rather than gutted. The Sofia keeps its lobby proportions, its stonework and its towers, and puts a modern hotel inside them without pretending the twentieth century did not happen. Two hundred odd rooms is a workable size, big enough for proper service, small enough that the staff recognise you by the second morning. We kept it because it gives a traveller the Gaslamp Quarter, the courthouse district and the waterfront on foot, from an address that is worth photographing on the way out.
One hundred and fifty West Broadway puts you on the main downtown axis, a block from the edge of the Gaslamp Quarter rather than inside it, which is the better side of that line if you intend to sleep. The trolley runs along Broadway. Walk west and the street drops towards the Embarcadero, the bay walk and the cruise terminals, a quarter of an hour on foot at an easy pace. Little Italy and its restaurants are a short walk north. The Central Courthouse, the business district and the convention centre are all within reach, which is why the hotel fills as easily with people in town for work as for a weekend. Guest bicycles make the flat downtown grid genuinely usable.
Price: Premium
Vibe: Historic, unshowy, downtown
Rooms: a little over two hundred, from Classic rooms to Premier Queens, in kings, queens and two double configurations
Best For: travellers who care about buildings, business stays that want character, couples doing downtown on foot
Our Favorite Thing About the Hotel: the twin broadcast towers still standing on the roof, left over from the radio station years
Dining: Truva for Mediterranean cooking and its bar, with Tender Greens and a coffee counter on site for anything quicker
Amenities: yoga studio, fitness centre open around the clock, complimentary guest bicycles, dogs accepted
Attractions: the Gaslamp Quarter a block away, the Embarcadero and cruise terminals about fifteen minutes on foot, Little Italy a short walk north, the convention centre and Central Courthouse close by
The room stock reflects the building rather than fighting it: floor plates from the twenties mean the layouts vary, and that is part of the appeal. Classic rooms are the standard, Premier Queens have more room to move, and the bed configurations run from a king to two doubles for anyone travelling with children. Nothing here is enormous, and the hotel does not pretend otherwise. What it offers instead is proportion, high ceilings where the original structure allowed them, and windows that look out at a street rather than into a light well. Ask for a higher floor if noise matters to you, since Broadway is a working road.
The wellness side of the house is better than the building lets on. There is a dedicated yoga studio as well as a fitness centre that never closes, which on a downtown footprint is a real choice about how to use the space. The bicycles are free to guests and make more sense here than a car does: the waterfront path is flat, the grid is legible, and parking downtown is its own small ordeal. Truva handles dinner with a Mediterranean menu and a bar that stays useful late.
We loved how Porto Vista Hotel treats its Little Italy address as a design brief,...
We chose The Bristol because it commits to a pop-art identity rather than hinting at...
We chose the Horton Grand for a backstory that sounds invented until you check it:...